Late March

Thursday

8:30 A.M. MST

Kayla Shaw walked out of the little adobe house and put the last of her mementos into the Ford Explorer. It wasn’t much of a load, really. Some photos, her grandmother’s prize bridle, her mother’s barrel-racing trophies, her father’s favorite hunting rifle. Small things rich with memories. After work, she’d come back and pack up her clothes.

Technically the place was hers to use for another month, but it felt melancholy to be a tenant rather than an owner.

As Kayla found a safe spot for the small, unframed landscape painting she carried, she remembered her excitement at discovering the piece in a garage sale. It had been just after her parents had died, when she’d been making the difficult adjustment from beloved child to adult orphan. Something in the painting of a predawn forest had whispered to her of time and loneliness and the faintly shimmering hope of a sunrise that might be more imagined than real. When she’d turned the painting over and seen “Maybe the Dawn” written on the back, she’d known she would buy it.

She touched the name slashed in the lower left of the painting. “R. McCree.” The artist had helped her through a bad time. She’d been looking for his-or her-paintings ever since, but hadn’t found any.

Leaning against the cool metal frame of the vehicle’s door, she glanced around at the ten acres of Dry Valley Ranch that had been her home for her whole life. The adobe walls of the house were the dusty color that came of age and Arizona weather. Sun had turned the timber fence of the corral a lovely shade of gray. The lean-to barn looked lonesome and enduring, like a windmill at a remote cattle tank-like the windmill that still supplied water to the house and corrals.

Ten acres of memories.

Sadness curled around her with the cool morning breeze. She hoped the new owner would love Dry Valley as she and her parents had. She hoped, but she didn’t know. She’d sold the ranch to someone she’d never met, never seen, and knew only through his agent.