There we have washed hair, pickles, gorse, bath-salts, skin, pencil-shavings, tinned peaches, post offices, Mrs Lazenby at the corner-shop in his native slum, cloves, diabetes. But it has no existence in his maturer work; the twin ports are closed for ever. That gentle noise, Harold, is snoring. That is so, Christine; his teeth, both upper and lower, are removable: they have been removed to that plastic night-jar there. Child, child, you have spilt denture-fluid on to Mr Enderby's landlady's carpet. No, Robin, the carpet is neither beautiful nor rare, but it is Mrs Meldrum's property. Yes, Mr Enderby himself is our property, the world's property, but his carpet is his landlady's. Mrs Meldrum's.

Now. His hair goes a daily journey from head to brush, squad by tiny squad on a one-way ticket. Here on the dressing-table are the imitation-silver-backed brushes bequeathed by his father, the tobacconist. The bristles are indeed dirty, Mavis, but great poets have other things to do than attend to the calls of hygiene. See how the bristles have trapped their day's quota of Mr Enderby's few remaining hairs. Holy relics, children. Do not rush. One each for everybody. There. Keep it safe, each of you, in your little diary of posterity's present year. Shed hairs, Henry, become the property of the picker. They are of no use to Mr Enderby, but they are already fetching, at classical auction-rooms, a pound or so each if nicely mounted. It is not proper, Audrey, that you should try to pick your hair alive. Such a rough tug at the scalp is enough to wake Mr Enderby.

Querpkprrmp.

You see? He's disturbed. Let him settle as one lets churned water settle. Right. A better view of Mr Enderby, you will agree, children, as he flops on his back cruciform and sends the bedclothes sliding and plopping to the floor. His belly bulges in two gentle hills, one on either side of the cutting pyjama-cord.