This impressed visitors and looked nice for the tour groups who came by every hour to launch flashcube barrages over the velvet rope. Cozzano had banned the tour groups, slamming the doors in their faces so that all they could see was the brass lions, and turned the office into a cluttered Cozzano family museum.

It had started on the day of his first inauguration, with a small photo of his late wife, Christina, placed on the corner of his historically inaccurate desk. Naturally, photos of his children, Mary Catherine and James, came next. But there was no point in stopping with the immediate family, and so Cozzano had brought in several boxes containing pictures of patriarchs and matriarchs going back several generations. He wanted pictures of his friends, too, and of their families, and he also needed various pieces of memorabilia, some of which were chosen for sentimental reasons, some for purely political ones. By the time Cozzano was finished decorating his office, it was almost filled with clutter, smelling salts had to be brought in for the Historical Society, and, as he sat down for the first time in his big leather chair, he could trace the entire genealogy and economic development of the Cozzano clan, and of twentieth-century Illinois, which amounted to the same thing.

There was an old aerial photograph of Tuscola as seen from its own water tower in the 1930s. It was a town of a few thousand people, about half an hour south of the academic metropolis of Champaign-Urbana and a couple of hours south of Chicago. Even in this photo it was possible to see gaudy vaults in the town cemetery, and Duesenbergs cruising the streets. Tuscola was, for a farm town, bizarrely prosperous.

In an oval frame of black walnut was a hand-tinted photograph of his great-grandfather and namesake Guillermo Cozzano who had come to Illinois from Genoa in 1897.



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