
She had been talking to a stranger-a fiftyish Anglo woman in a black silk dress and a beaded choker. The woman had a vast mane of crisp black hair and her eyes were lined dramati- cally. Laura wondered what to make of her. She looked like a pharaoh's widow. "This is her," Mrs. Rodriguez told the stranger. "Laura, our manager."
"Coordinator," Laura said. "I'm Laura Webster."
"I'm the Reverend Morgan. I called earlier."
"Yes. About the City Council race?" Laura touched her watch, checking her schedule. The woman was half an hour early. "Well," she said. "Won't you come around the desk?
We can talk in my office."
Laura took the woman into the cramped and windowless little suboffice. It was essentially a coffee room for the staff, with a data-link to the mainframe upstairs. This was where
Laura took people from whom she expected the squeeze. The place looked suitably modest and penurious. David had dec- orated it from his wrecking expeditions: antique vinyl car seats and a modular desk in aged beige plastic. The ceiling light shone through a perforated hubcap.
"Coffee?" Laura said.
"No, thank you. I never take caffeine."
"I see." Laura put the pot aside. "What can we do for you, Reverend?"
"You and I have much in common," Reverend Morgan said. "We share a confidence in Galveston's future. And we both have a stake in the tourist industry." She paused. "I understand your husband designed this building."
"Yes, he did."
"It's `Organic Baroque,' isn't it? A style that respects
Mother Earth. That shows a broad-minded approach on your part. Forward-looking and progressive."
"Thank you very much." Here it comes, Laura thought.
