He put the invitation on the piano, the upright Georg had found for them. Keys dusted, in tune, ready for her to play again. During the war it had been Mendelssohn because you couldn’t play him in Germany, jüdische Musik, Anna thumbing her nose at the Nazis with lieder. Along the piano top was the row of framed photographs Leon had come to think of as his war memorial. Anna’s parents, dressed for a walk in the Tiergarten, the last picture they’d sent before they were taken away. Anna herself, mouth open in laughter, when she still had words. Phil kneeling with the ground crew on an airstrip somewhere in the Pacific, the propellers just behind their heads. His unexpected baby brother, so many years between them that they had never been friends and then suddenly were the only family each of them had. The telegram had come to him, the only one left. Missing in action over New Guinea. Then, months later, a letter from an officer who’d survived the Japanese camp, who wanted Leon to know that Phil had been brave to the end. Whatever that meant. Maybe a samurai sword to the back of the neck, maybe dysentery, anyway gone, Leon’s last tie to America. And yet, oddly, losing Phil had pulled him closer to it, wanting to be part of it, even carrying papers for Tommy, as if that would help somehow, like a ground mechanic who checked the oil and waited for the others to come back.
He draped an afghan over his shoulders and sat next to the electric fire. One of your new friends, Mihai had guessed. Now on a VIP ticket to Washington. What would Anna have said? Who else would have reconnaissance pictures? A Nazi or a thief. Your new friends. Not what he imagined doing when it had started. An innocent train to Ankara, then dinner at Karpić’s to leave the papers. No need to go to the Embassy, just in town on business. And then Tommy had other things for him.