
Willa bent toward Henry, and Henry recoiled from her slightly, as if her breath were bad. “The only reason I let David drag me back here is because they are going to demolish this place! Can you say wrecking ball, Henry? Surely you’re bright enough to get your head around that concept.”
“Make her stop!” Ruth cried, her voice muffled.
Willa leaned even closer, eyes bright in her narrow, pretty face. “And when the wrecking ball leaves and the dump trucks haul away the crap that used to be this railway station-this old railway station-where will you be?”
“Leave us alone, please,” Henry said.
“Henry-as the chorus girl said to the archbishop, denial is not a river in Egypt.”
Ursula Davis, who had disliked Willa from the first, stepped forward, leading with her chin. “Fuck off, you troublesome bitch.”
Willa swung around. “Don’t any of you get it? You’re dead, we’re all dead, and the longer you stay in one place, the harder it’s going to be to ever go anywhere else!”
“She’s right,” David said.
“Yeah, and if she said the moon was cheese, you’d say provolone,” Ursula said. She was a tall, forbiddingly handsome woman of about forty. “Pardon my French, but she’s got you so pussy-whipped it isn’t funny.”
Dudley let out that startling donkey bray again, and the Rhinehart woman began to sniffle.
“You’re upsetting the passengers, you two.” This was Rattner, the little conductor with the apologetic face. He hardly ever spoke. David blinked, the station lensed dark and moonlit again for another moment, and he saw that half of Rattner’s head was gone. The rest of his face had been burned black.
“They’re going to demolish this place and you’ll have nowhere to go!” Willa cried. “Fucking…nowhere!” She dashed angry tears from her cheeks with both fists. “Why don’t you come to town with us? We’ll show you the way. At least there are people…and lights…and music.”
