On this project, and on the Smuggler's Island investigation, which began with a memo about a water main and ended with a series on dope running in Key West, Savage observed firsthand Hiaasen's legendary insight. It was Hiaasen, Savage notes, who quickly recognized the heart of the story—how drug dealing dramatically altered people's lives, especially in Key West, but with implications for the rest of the country. Savage now uses Hiaasen's story-assembling techniques, as well as his accuracy, fairness, and skillful interviewing, as a model of excellence in investigative reporting when he teaches seminars in project writing. "Carl is the most talented journalist I've worked with because he's an outstanding researcher and a world-class writer," Savage says. "It would be great if we could clone Carl Hiaasen, so one could still be working with me."

At age four, Carl Hiaasen learned to read using the Miami Herald sports page and maps of Florida. Two years later, when he got his first typewriter as a present from his father, he taught himself to hunt and peck well enough to write his own sports page, reporting on neighborhood kickball and softball games in newsletters he handed out to friends. Even then, he knew he wanted to be a journalist, because getting paid to learn about the world and report on it in stories bearing his name seemed the perfect occupation.

Continuing to write for pleasure in high school, Hiaasen again had his own publication, More Trash, an underground newsletter in which he experimented with irreverent commentary by poking fun at the traditions of mainstream adolescent culture, as well as satirizing the teachers and administrators of Plantation High. At Emory University, he ghostwrote a doctor's memoirs, and within the next two years, had married his high school sweetheart, Connie, become a father, and moved to Gainesville to major in journalism at the University of Florida.