
Killing Ground
Gerald Seymour
Prologue
More wine was poured.
More salad was offered.
More frequent apologies for the late arrival of the Host were given.
It was a good wine that the Guest drank, and a good salad of sliced tomato and country mushrooms and fennel that the Guest speared with his fork, and good apologies for the unavoidable delay in the arrival of the Host. The suspicion of the Guest that was inherent in his nature, a rock in his life, was lulled. He drank, he reached a thin ribbed hand across the table towards the water bottle. He scooped pasta from the plate in front of him between his dried and narrow lips, then more tomato, and there was a moment when the sauce of the pasta and the juice of the tomato dribbled down from his mouth and onto his chin where the poorly shaved grey stubble caught the sauce and the juice. The Guest wiped hard at his chin with the napkin suspended from the collar of his silk shirt below a scrawny and emaciated throat. He felt at ease.
It was a fine apartment to which the Guest had been invited. The ding table of polished mahogany was in an alcove off the main living area. There was a shined floor of dark wood blocks below him. He had walked to the table from the living area across a thick woven carpet from Iran. He thought the pictures on the walls behind him and in the living area to be of quality and costly but they were too modern for his taste. At the entrance to the alcove, set on a wire pedestal, was a headless statue in stone of a naked woman, maybe Roman or maybe a Greek antiquity, and the Guest would not have known the difference, but the shape of the plump lower stomach stirred old thoughts in the mind of the Guest, and he leered at the statue that was a metre high and wondered if the missing face of the naked woman would have carried eyes that were inviting or coyly lowered.
