

LADY OF MAZES
Karl Schroeder
Acknowledgments
Thanks to David Hartwell and Moshe Feder at Tor, for their editorial expertise, and to Rebecca Maines, for correcting my rampant capitalizations. Thanks are also due my agent, Donald Maass, for his patience in shepherding this project to completion.
Most of all, though, my gratitude goes to my wife, Janice Beitel, for keeping faith with me through the many versions and revisions of this tale.
PART ONE
The Conquest of Abundance
Different ideas of social and political life entail different technologies for their realization.
— Langdon Winner, Autonomous Technology, 1977
1
Livia Kodaly opened her eyes to gray predawn light All was silence within the crumbling stone walls where she had slept.
Real sheets, not virtual, were bunched around her legs; she clutched a pillow and watched the faint radiance of dawn swing down from the eastern sky. Around and about her, within the walls and ceiling and floating on every minuscule speck of dust, a thousand other eyes watched. To them she might seem like a figure of porcelain, her mop of fair hair touched only now and then by an errant breeze. So still was she that to those ubiquitous eyes and monitors, she might seem just another fixture of the room.
When the rectangle of black from the French doors turned gray, Livia sighed at the ceiling and untangled herself from rest. She walked through the French doors onto the broad stone balcony that encircled the estate's guest apartments. Curled up in one of the old crenels, she looked out over the manicured grounds with their posing topiary and past the indistinct forest tops. Stars still shone, Jupiter on her right, the pastel curves of the Lethe Nebula to her left. It was that time of day when the world seems to pause between breaths — the towering redwood trees that carpeted the hillside were motionless, and all would be silent if not for the chattering of thousands of wakening birds.
