They’d reached the top of the house and the hall was unornamented, the carpeting threadbare in spots. Caroline turned to the left and stopped before a closed door. “She’ll be expecting you.” She smiled at Kincaid and left him.

He tapped on the door, waited, tapped again and listened, holding his breath to catch any faint sound. The echo of Caroline’s footsteps had died away. From somewhere below he heard a faint cough. Hesitating, he brushed his knuckles against the door once more, then turned the knob and went in.

The woman sat on a high stool with her back to him, her head bent over something he couldn’t see. When Kincaid said, “Uh, hello,” she whipped around toward him and he saw that she held a paintbrush in her hand.

Julia Swann was not beautiful. Even as he formed the thought, quite deliberately and matter-of-factly, he found he couldn’t stop looking at her. Taller, thinner, sharper than her mother, dressed in a white shirt with the tail out and narrow black jeans, she displayed no softly rounded curves in figure or manner. Her chin-length dark hair swung abruptly when she moved her head, punctuating her gestures.

He read his intrusion in her startled posture, felt it in the room’s instantly recognizable air of privacy. “I’m sorry to bother you. I’m Duncan Kincaid, from Scotland Yard. I did knock.”

“I didn’t hear you. I mean, I suppose I did, but I wasn’t paying attention. I often don’t when I’m working.” Even her voice lacked the velvety resonance of Caroline’s. She slid off the stool, wiping her hands on a bit of rag. “I’m Julia Swann. But then you know all that, don’t you?”

The hand she held out to him was slightly damp from contact with the cloth, but her grasp was quick and hard. He looked around for someplace to sit, saw nothing but a rather tatty and overstuffed armchair which would place him a couple of feet below the level of her stool. Instead he chose to lean against a cluttered workbench.