She pushed her glasses up on her forehead, held the thing to her eye, and squinted. It looked exactly like a common everyday key. Almost. It had no manufacturer’s name on it, and that was unexpected, given that the key looked new and unworn. The top part of it was covered with irregular geometric decorations.

Or were they decorations?

She looked up to see Nadine studying her steadily, unblinkingly, like a cat. "Nadine, honey, your eyes are younger than mine–would you take a look at this? Are those tiny ... switches on this thing?"

"What?" Nadine accepted the key from her, examined it, poked at it with one nail.

Flash.

When Ellie stopped blinking and could see again, one wall of their cell had disappeared.

Nadine stepped to the very edge of the cell, peering outward. A cold wind whipped bitter flakes of snow about her. "Look!" she cried. Then, when Ellie stood beside her to see what she saw, Nadine wrapped her arms about the older woman and stepped out into the abyss.

Ellie screamed.

The two women piloted the police vehicle up Broadway, toward Times Square. Though a multiplicity of instruments surrounded the windshield, the controls were simplicity itself: a single stick that, when pushed forward, accelerated the vehicle, and, when pushed to either side, turned it.

Apparently, the police did not need to be particularly smart. Neither the steering mechanism nor the doors had any locks on them, so far as Ellie could tell. Apparently, the drone-men had so little initiative that locks weren’t required. Which would help explain how she and Nadine had escaped so easily.

"How did you know this vehicle was beneath us?" Ellie asked. "How did you know we’d be able to drive it? I almost had a heart attack when you pushed me out on top of it."

"Way rad, wasn’t it? Straight out of a Hong Kong video." Nadine grinned. "Just call me Michelle Yeoh."