
Walter Jon Williams
Lethe
Davout had himself disassembled for the return journey. He had already been torn in half, he felt: the remainder, the dumb beast still alive, did not matter. The captain had ruled, and Katrin would not be brought back. Davout did not want to spend the years between the stars in pain, confronting the gaping absence in his quarters, surrounded by the quiet sympathy of the crew.
Besides, he was no longer needed. The terraforming team had done its work, and then, but for Davout, had died.
Davout lay down on a bed of nano and let the little machines take him apart piece by piece, turn his body, his mind, and his unquenchable longing into long strings of numbers. The nanomachines crawled into his brain first, mapping, recording, and then shut down his mind piece by piece, so that he would feel no discomfort during what followed, or suffer a memory of his own body being taken apart.
Davout hoped that the nanos would shut down the pain before his consciousness failed, so that he could remember what it was like to live without the anguish that was now a part of his life, but it didn’t work out that way. When his consciousness ebbed, he was aware, even to the last fading of the light, of the knife-blade of loss still buried in his heart.
The pain was there when Davout awoke, a wailing voice that cried, a pure contralto keen of agony, in his first dawning awareness. He found himself in an early-Victorian bedroom, blue-striped wallpaper, silhouettes in oval frames, silk flowers in vases. Crisp sheets, light streaming in the window. A stranger-shoulder-length hair, black frock coat, cravat carelessly tied-looked at him from a gothic-revival armchair. The man held a pipe in the right hand and tamped down tobacco with the prehensile big toe of his left foot.
"I’m not on the Beagle," Davout said.
