
Abraham Lincoln dreamed his own death. He heard the sound of crying and asked the guard, “Who is dead in the White House?” and the guard said, “The President.” And it’s perfectly clear what that dream meant. You don’t need a codebook to tell it’s a warning. Yet I find myself puzzling over it, and over that other dream of his, the one he dreamed “before every significant event of the war,” the one he dreamed the night before he died. In that dream, he was in a boat, drifting toward an unknown shore, and you don’t need Freud for that one either.
Or if you insist on the charwoman theory, it is scarcely unusual that death was on his mind—there was at least one assassination attempt a week, and he had already heard the sound of crying in the White House when Willie died. And yet, in spite of all this logic, I find them staying with me like a dream, the code impossible to decipher, troubling me, haunting me.
As the Civil War haunts me. In the first part of Lincoln’s Dreams , Jeff is offered a job researching the long-term effects of the Vietnam War. He turns it down. “I’m busy studying the long-term effects of the Civil War.” And I guess that’s what I was doing, too, writing this book. Because the Civil War isn’t over. Its images, dreamlike, stay with us—young boys lying face-down in cornfields and orchards, and Robert E. Lee on Traveller. And Lincoln, dead in the White House, and the sound of crying.
The Civil War disturbs us, all these long years after, troubling our sleep. Like a cry for help, like a warning, like a dream. And we pore over it, trying to break the code, its meaning just out of reach.

Lincoln's Dreams
It may be that life is not man’s most precious possession, after all. Certainly men can be induced to give it away very freely at times, and the terms hardly seem to make sense unless there is something about the whole business that we don’t understand.
