Taylor coasted for a moment on the pedals but then quickly worked back into his rhythm. His face was red and he was sweating freely. He reached to a cup holder on the side of the digital control board and took out a pair of half glasses and a slim card that had his production company’s logo at the top-a square with a mazelike design of curls inside it-and several handwritten notations below it. He put on the glasses and squinted anyway as he read the card.

“That’s not what I have here,” he said. “I’ve got LAPD Detective Harry Bosch at ten. Audrey wrote this. She’s been with me for eighteen years-since I was making straight-to-video dreck in the Valley. She is very good at what she does. And usually very accurate.”

“Well, that was me for a long time. But not since last year. I retired. I might not have been very clear about that on the phone. I wouldn’t blame Audrey if I were you.”

“I won’t.”

He glanced down at me, tilting his head forward to see over the glasses.

“So then what can I do for you, Detective-or I guess I should say Mr.-Bosch? I’ve got two and a half miles and then we’re finished here.”

There was a bench-press machine to Taylor ’s right. I moved over and sat down. I took the pen out of my shirt pocket-no snags this time-and got ready to write.

“I don’t know if you remember me but we have spoken, Mr. Taylor. Four years ago when the body of Angella Benton was found in the vestibule of her apartment building, the case was assigned to me. You and I spoke in your office over at Eidolon. On the Archway lot. One of my partners, Kiz Rider, was with me.”

“I remember. The black woman-she had known Angie, she said. From the gym, I think it was. I remember that at the time you two instilled a lot of confidence in me. But then you disappeared. I never heard from -”

“We were taken off the case. We were from Hollywood Division. After the robbery and shooting a few days later, the case was taken away. Robbery-Homicide Division took it.”