I found the process at once strangely thrilling and heartbreaking; which, I’ve come to realize, is true of everything to do with flowers. A bouquet sent to a birth is definitely to celebrate but also to acknowledge that the poor mum has a bruised vag; a wreath at a funeral is sent to express extreme sorrow but sent with love and respect.
Flowers are big, you see, complex.
As a kid there was nothing I liked to do more than watch my gran arrange the flowers she’d chosen. I spent hours watching her weave her magic, trimming the leaves from the lower half of the stem (or they would rot in the water, leading to a hideous smell), fearlessly snapping off sharp thorns from roses with her hardy, plump thumb (see, a rose can be improved upon, take away the thorns), swapping honesty for baby’s breath to create balance and harmony. Her displays were always moving. Some were refined, poised and taut. Others were jolly, vibrant and wild. They all seemed wonderful to me. My advice to everyone is never underestimate the power of a bunch of sweet peas tied up with a cheerful, colourful ribbon.
I am doing my best not to think about all the things I said to Adam on Friday and I’m doing a pretty good ostrich impression by throwing myself into my work. I’ve briefly told Ben about the row but I’ve insisted that we don’t discuss and dissect the matter. Ben’s happy to follow instructions; he doesn’t really like thrashing out anything tricky. He’s always saying that all he ever wants is for everyone to be happy, preferably all the time. Sadly, it’s not a very realistic aim and he doesn’t have a magic wand