
I used to think we were going somewhere. It looks like we’ve arrived. This is my stop. I have to get off the train and take a long hard look at the station. It’s not one with hanging baskets full of cascading begonia and there isn’t one of those lovely large clocks with Roman numerals. There’s nothing romantic or pretty about my station at all. My station is littered with discarded polystyrene cups and spotted with blobs of chewing-gum.
Frankly, it’s depressing.
We don’t own our flat. We don’t even have an exclusive flat-share. My best friend, Jess, also rents with us. Normally, I acknowledge that this is no bad thing. She is (largely) single and so we are each other’s on-tap company on those nights when she doesn’t have a date and Adam is at work.
Adam is in the music business. Don’t get excited. He’s not a rock star, or a manager, or producer, or anything remotely glamorous and promising. He’s a rigger; which, if I’ve understood things correctly, is one step up from the coach driver on a tour but not as important as the people who work in catering. He freelances, and while he must be quite good at his job (offers of employment are regular) it’s clear he’s never going to be a millionaire. For that matter, he’s never going to have so much as a savings account.
This didn’t used to bother me. I’m a florist and work in someone else’s shop: Ben’s Bunches and Bouquets or Ben’s B&B for short. Ben, who is as camp as a glow-in-the-dark despite that). I don’t resent Adam’s lack of cash. I resent his lack of… oh, what’s the word?
