
This is about Helen Hoover Boyle. Her haunting me. The way a song stays in your head. The way you think life should be. How anything holds your attention. How your past goes with you into every day of your future.
That is. This is. It's all of it, Helen Hoover Boyle.
We're all of us haunted and haunting.
On this, the last ordinary day of her regular life, our hero says into the phone, "Bill Burrows?"
She says, "You need to get Emily on the extension because I've just found you two the perfect new home."
She writes the word "horse" and says, "It's my understanding that the sellers are very motivated."
Chapter 1
The problem with every story is you tell it after the fact.
Even play-by-play description on the radio, the home runs and strikeouts, even that's delayed a few minutes. Even live television is postponed a couple seconds.
Even sound and light can only go so fast.
Another problem is the teller. The who, what, where, when, and why of the reporter. The media bias. How the messenger shapes the facts. What journalists call The Gatekeeper. How the presentation is everything.
The story behind the story.
Where I'm telling this from is one cafe after another. Where I'm writing this book, chapter by chapter, is never the same small town or city or truck stop in the middle of nowhere.
What these places all have in common are miracles. You read about this stuff in the pulp tabloids, the kind of healings and sightings, the miracles, that never get reported in the mainstream press.
This week, it's the Holy Virgin of Welburn, New Mexico. She came flying down Main Street last week. Her long red and black dreadlocks whipping behind her, her bare feet dirty, she wore an Indian cotton skirt printed in two shades of brown and a denim halter top. It's all in this week's World Miracles Report, next to the cashier in every supermarket in America.
