Robert Asprin

M.Y.T.H. Inc In Action

Author's Note:

I am not a fast writer,

I am not a slow writer,

I am a half fast writer!

R. L. ASPRIN

THE FAN MAIL I've received has been pretty much split on the subject of my last Introduction; some found it interesting and insightful, while others thought it was boring and a waste. If you are of the latter group, please feel free to jump ahead directly into the story, since there is nothing in this message you need to know to understand (and, hopefully, enjoy) the book.

For the rest of you, this note is mostly an apology ... or, more accurately, a string of apologies.

Back in M. Y.T.H. Inc. Link, I optimistically stated that I would be trying to write two Myth episodes a year... and things have not been the same since. I, my publishers, and many bookstores and dealers have been flooded with queries and demands for "the next Myth book," with each reader being sure the books were in existence somewhere because of the schedule I had so foolishly "committed to" in that introduction.

To belabor the obvious, I haven't been able to write at the speed I anticipated at the time. While the popularity of the series and the loyalty of its readers is both gratifying and profitable, any publisher can tell you that trying to get a book out of an author when "it isn't happening" is like pushing on a rope. You see, when I made my writing "guesstimate," I had just finished writing MIL, and the speed with which the prose goes onto the page when I'm closing on the end of a book was still fresh in my mind. That is, when it's flowing, it flows very fast. What I had overlooked was the months of outlining and false starts that go on before things get flowing (These books only look spontaneous and easy to write. Honest!) Anyway, the cruel realities of the situation surfaced when I tried to meet my promised schedule, and I fell far behind my anticipated timetable. As the queries and demands from the readers grew, the tolerance of the publishers for late delivery grew less and less, and the pressures on me increased "to get the manuscript in" with, less and less time for rewrites and polish.



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