Scott had never seen work that was so indifferent to the effect it had on those who came to see it. The walls looked off to heaven in a marvelous flat-eyed gaze. He stood before a silk screen called Crowd. The image was irregular, deep streaks marking the canvas, and it seemed to him that the crowd itself, the vast mesh of people, was being riven by some fleeting media catastrophe. He moved along and stood finally in a room filled with images of Chairman Mao. Photocopy Mao, silk-screen Mao, wallpaper Mao, synthetic-polymer Mao. A series of silk screens was installed over a broader surface of wallpaper serigraphs, the Chairman's face a pansy purple here, floating nearly free of its photographic source. Work that was unwitting of history appealed to Scott. He found it liberating. Had he ever realized the deeper meaning of Mao before he saw these pictures? A subway rumbled past in the stony dark nearby. He stood and looked a while longer, feeling a curious calm even with people moving steadily in and out. The surge of bodies made its own soft roar.

Outside, a woman in a padded jacket followed him down the street. He had the impression she was small, with close-cropped hair, carrying some kind of animal in her coat. He picked up the pace but she kept on him, saying, "You're from out of town so I can talk to you."

He almost turned and looked at her but then thought no.

Saying, "Don't be ascared of me, mister, I only want to talk."

He walked faster, looking straight ahead, and she was still there, at his shoulder, saying, "I picked your face out of the air as this is someone I can trust."

He pointed to a blinking traffic-sign, hoping she'd understand he was pressed for time and this was goodbye and no hard feelings please, but she hurried across the street right behind him and moved alongside as they reached the curbstone.