He spent nine years praying and wept so long and hard his tears formed puddles and soaked through the floor and dripped into the room below and filtered through the foundation of the house into the earth. The couples know there are things he must leave unsaid, words whose planetary impact no one could bear. He is the messianic secret, ordinary-looking, his skin a weathered bronze. When the communists sent him to a labor camp the other inmates knew who he was because they'd dreamed about him before he got there. He gave away half his food but never grew weak. He worked seventeen hours a day in the mines but always found time to pray, to keep his body clean and tuck in his shirt. The blessed couples eat kiddie food and use baby names because they feel so small in his presence. This is a man who lived in a hut made of U. S. Army ration tins and now he is here, in American light, come to lead them to the end of human history.

The brides and grooms exchange rings and vows and many people in the grandstand are taking pictures, standing in the aisles and crowding the rails, whole families snapping anxiously, trying to shape a response or organize a memory, trying to neutralize the event, drain it of eeriness and power. Master chants the ritual in Korean. The couples file past the platform and he sprinkles water on their heads. Rodge sees the brides lift their veils and he zooms in urgently, feeling at the same moment a growing distance from events, a sorriness of spirit. But he watches and muses.

When the Old God leaves the world, what happens to all the unexpended faith? He looks at each sweet face, round face, long, wrong, darkish, plain. They are a nation, he supposes, founded on the principle of easy belief. A unit fueled by credulousness. They speak a half language, a set of ready-made terms and empty repetitions. All things, the sum of the knowable, everything true, it all comes down to a few simple formulas copied and memorized and passed on.