What hope for Maurice who was nothing but falsities? A stab of anger went through him. Jumping up, he said good night, to regret his haste as soon as he was outside the door. He settled to wait, not on the staircase itself, for this struck him as absurd, but somewhere between its foot and Durham's own room. Going out into the court, he located the latter, even knocking at the door, though he knew the owner was absent, and looking in he studied furniture and pictures in the firelight. Then he took his stand on a sort of bridge in the courtyard. Unfortunately it was not a real bridge: it only spanned a slight depression in the ground, which the architect had tried to utilize in his effect. To stand on it was to feel in a photographic studio, and the parapet was too low to lean upon. Still, with a pipe in his mouth, Maurice looked fairly natural, and hoped it wouldn't rain.

The lights were out, except in Fetherstonhaugh's room. Twelve struck, then a quarter past. For a whole hour he might have been watching for Durham. Presently there was a noise on the staircase and the neat little figure ran out with a gown round its throat and books in its hand. It was the moment for which he had waited, but he found himself strolling away. Durham went to his rooms behind him. The opportunity was passing.

"Good night," he screamed; his voice was going out of gear, and startling them both. "Who's that? Good night, Hall. Taking a stroll before bed?" "I generally do. You don't want any more tea, I suppose?" "Do I? No, perhaps it's a bit late for tea." Rather tepidly he added, "Like some whisky though?" "Have you a drop?" leaped from Maurice.

"Yes — come in. Here I keep: ground floor."

"Oh, here!" Durham turned on the light. The fire was nearly out now. He told Maurice to sit down and brought up a table with glasses.

"Say when?"

"Thanks — most awfully, most awfully."