Jack impishly raises his hand. “Comment on ‘Ironic,’ the so-called pop song by Alanis What’s-her-face. A traffic jam when you’re already late is not ironic, it’s maddening or unfortunate. Red Sox beating Baltimore seventeen to ten and Don Orsillo announcing, ‘This is a real pitcher’s battle.’ That’s irony. Case closed.”

Naomi rolls her eyes.

Chapter Six

Why Murder Is like Real Estate

An invitation to meet a source at a certain upscale lounge on Boylston Street means dressing for the occasion. In this case, for Jack Delancey, that means slightly down. He has changed into an off-the-rack JoS. A. Bank blue blazer, one that dry-cleans easily, and a pair of light, cotton twill dress slacks with knife-sharp creases. Top-Sider shoes, ever so slightly scuffed, because the outfit is already kind of boaty, so why not go all the way?

Upon entering the retail area of the cigar store, Jack is waved past the bar and through into the lounge. Not a large venue by any means, but nicely furnished, and one of the few places in the city where a man-or a woman, for that matter-can legally enjoy an alcoholic beverage and a tobacco product at the same time, in a nonfurtive manner. The source awaits him, puffing on a fat Padron Maduro, a snifter of port at his side. He doesn’t bother to rise. “Hey, Jacko. Very sporty.”

Jack adjusts his slacks and takes a seat in a very comfortable leather chair, not far from the fireplace, directly opposite the source. “Captain Tolliver, my pleasure.”

Glenn Tolliver, a captain of detectives with the Massachusetts State Police, chuckles. “If we’re going to be formal, guess I’ll have to address you as Special Asshole in Charge.”

“Special Asshole, Retired. Or resigned. I’m too young to retire, right?”

“You smokin’ tonight, kid?”

“That’s a Padron 1926 you got there? What is it, thirty-five bucks?”



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