Still trying to imagine why the ex-nurse who had taken him prisoner might have once been put on the stand in Denver, Paul drifted off to sleep.


12

He was in a hospital ward. Great relief swept through him - so great he felt like crying. Something had happened when he was asleep, someone had come, or perhaps Annie had had a change of heart or mind. It didn't matter. He had gone to sleep in the monster-woman's house and had awakened in the hospital.

But surely they would not have put him in a long ward like this? It was as big as an airplane hangar! Identical rows of men (with identical bottles of nutrient hung from identical IV trays beside their beds) filled the place. He sat up and saw that the men themselves were also identical - they were all him. Then, distantly, he heard the clock chime, and understood that it was chiming from beyond the wall of sleep. This was a dream. Sadness replaced the relief.

The door at the far end of the huge ward opened and in came Annie Wilkes - only she was dressed in a long aproned dress and there was a mobcap on her head; she was dressed as Misery Chastain in Misery's Love. Over one arm she held a wicker basket. There was a towel over the contents. She folded the towel back as he watched. She reached in and took out a handful of something and flung it into the face of the first sleeping Paul Sheldon. It was sand, he saw this was Annie Wilkes pretending to be Misery Chastain pretending to be the sandman. Sandwoman.

Then he saw that the first Paul Sheldon's face had turned a ghastly white as soon as the sand struck it and fear jerked him out of the dream and into the bedroom, where Annie Wilkes was standing over him. She was holding the fat paperback of Misery's Child in one hand. Her bookmark suggested she was about three-quarters of the way through.

“You were moaning,” she said.

“I had a bad dream.”



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