By the time he found the Dinsmore place it was evening. He used his green towel to wash in a creek before going up, then hung it on a tree limb and set the fruit jar carefully beneath it. The road-if you could call it that-was steep, rocky and full of washouts. Reaching the top, he found himself sweating again but figured it really didn’t matter; she wouldn’t take him anyway.

He left the road and approached through the woods, standing hidden in the trees, studying the place. It was a mess: chicken dung, piles of rusting machinery, a goat chewing his cud on a back stoop that looked ready to drop off the house, outbuildings peeling, shingles curled, tools left out in the weather, a sagging clothesline with a chipped enamel kettle hanging from one pole, remnants of a weedy garden.

Will Parker felt as if he fit right in.

He stepped into the clearing and waited; it didn’t take too long.

A woman appeared in the doorway of the house, one child on her hip, another burrowing into her skirts with a thumb in its mouth. She was barefoot, her skirt faded, its hem sagging to the right, her blouse the color of muddy water, her entire appearance as shabby as her place.

"What can I do for you?" she called. Her voice sounded flat, wary.

"I’m lookin’ for the Dinsmore place."

"You found it."

"I come about the ad."

She hitched the baby higher onto her hip. "The ad?" she repeated, squinting for a closer look.

"The one about the husband." He moved no closer, but stayed where he was at the edge of the clearing.

Eleanor Dinsmore kept a safe distance, unable to make out much of him. He wore a curled cowboy hat pulled low over his eyes, stood with his weight-what there was of it-on one bony hip with his thumbs hitched in his back pockets. She made out scuffed cowboy boots, a worn blue cambric shirt with sweat-stained armpits and faded jeans several inches too short for his lanky legs. There was nothing to do, she guessed, but go on out there and take a look at him. Wouldn’t matter anyhow. He wouldn’t stay.