“And where shall I put this nonperson?” asked Margherita.

“In the master suite, overlooking the swimming pool. And remove everything from the drawing room, including the paintings and the tapestries. He plans to use it as his work space.”

“Everything?”

“Everything.”

“Will Anna be cooking for him?”

“I’ve offered her services, but, as yet, have received no answer.”

“Will he be having any guests?”

“It is not outside the realm of possibility.”

“What time should we expect him?”

“He refuses to say. He’s rather vague, our Signore Vianelli.”

As it turned out, he arrived in the dead of night-sometime after three, according to Margherita, who was in her room above the chapel at the time and woke with the sound of his car. She glimpsed him briefly as he stole across the courtyard in the moonlight, a dark-haired man, thin as a rail, with a duffel bag in one hand and a Maglite torch in the other. He used the torch to read the note she had left at the entrance of the villa, then slipped inside with the air of a thief stealing into his own home. A moment later, a light came on in the master bedroom, and she could see him prowling restlessly about, as though looking for a lost object. He appeared briefly in the window, and, for several tense seconds, they gazed at each other across the courtyard. Then he gave her a single soldierly nod and drew the shutters closed with an emphatic thump.

They greeted each other properly the next morning at breakfast. After an exchange of polite but cool pleasantries, he said he had come to the Villa dei Fiori for the purposes of work.