Our group was appalled. The ads had not mentioned this.

The porters ran ahead barefoot to reach the next tea break, and the clients began to bog down. People slipped and fell. People sat down and cried. Altitude sickness was mentioned more than once, though as a matter of fact we were not much higher than Denver. Heather and I ran around encouraging the weary. I found myself carrying three videocameras. Laure was carrying nine.

It was looking like the retreat from Moscow when we came to the first of the new bridges. These are pretty neat pieces of backwoods engineering; there aren’t any logs in the area long enough to span the river, so they take four logs and stick them out over the river, and weigh them down with a huge pile of round stones. Then four more logs are pushed out from the other side, until their ends rest on the ends of the first four. Instant bridge. They work, but they are not confidence builders.

Our group stared at the first one apprehensively. Arnold appeared behind us and chomped an unlit cigar as he filmed the scene. “The Death Bridge,” he announced into his camera’s mike.

“Arnold, please,” I said. “Mellow out.”

He walked down to the glacial gray rush of the river. “Hey, George, do you think I could take a step in to get a better shot of the crossing?”

“NO!” I stood up fast. “One step in and you’d drown, I mean look at it!”

“Well, okay.”

Now the rest of the group were staring at me in horror, as if it weren’t clear at first glance that to fall into the Dudh Kosi would be a very fatal error indeed. A good number of them ended up crawling across the bridge on hands and knees. Arnold got them all for posterity, and filmed his own crossing by walking in circles that made me cringe. Silently I cursed him; I was pretty sure he had known perfectly well how dangerous the river was, and only wanted to make sure everyone else did too. And very soon after that—at the next bridge, in fact—people began to demand to be taken back to Lukla. To Kathmandu. To San Francisco.