
Max Allan Collins
Murder by numbers
PROLOGUE
MARCH 7, 1933CHAPTER 1
Toussaint Johnson, a big loose-limbed man in a baggy light brown suit, the dark brown band of a shoulder holster cutting under a blood-red tie across a cobalt-blue shirt, looked headless in the black night. That was how black he was. Under a misshapen charcoal fedora, his kinky hair was cut back to the scalp and his face had a harsh, angular, African look; his dark-brown eyes, under deceptively sleepy hoods, were as piercing as a well-placed gunshot.
Johnson, a detective working out of the so-called "Roaring" Third Precinct on Cleveland's east side, was ambling across 89th Street, having left his Chevy in the parking lot of the Antioch Baptist Church up the block. It was a pleasant, cool Monday night, approaching ten o'clock, and he was on his way to see Rufus Murphy, the numbers king.
Fifty-five years old, fat and sassy, Rufus Murphy lived in a well-tended three-story yellow wood-frame house on the east side of this residential street. The Negroes who lived around here, on the edge of the white working-class neighborhood known as Hough, were primarily professionals-doctors, lawyers, teachers-but then Murphy was a professional of sorts himself.
The numbers game-actually games, namely "policy" and "clearing house," known derisively in some quarters as "the nigger pool"-was big business in the black ghetto of Cleveland. Both policy and clearing house were illegal lottery games, the former based on a drawing of numbered balls from a rotating drum, the latter on the daily stock exchange numbers in the newspaper.
An army of collectors, known more commonly as runners, solicited players among the denizens of black Cleveland, middle class and poverty stricken alike, giving them slips with their chosen numbers, keeping duplicate slips. Working for ten percent of what they collected, and tips from winners, the runners turned in their slips and cash to a controller. Each controller had charge of fifty or so runners, and kept five percent of the day's haul before turning the balance over to an operator, or "king," like Rufus Murphy, who was one of the Big Four numbers kings in the city.
