
One afternoon when Baba Iaga was away, a tall, somewhat formally attired man approached the house. The chicken legs immediately went into rotation so that the door could not be found. (Really, the legs looked as if they weren’t even awake, but in fact they never slept.)
I have heard there is a beautiful bird here, the man shouted out, and I would like to draw her. He waved a sketchbook in the air. I’ll make her immortal, he called. The pelican child and the dog and the cat remained sitting quietly in a circle on the floor where they had been playing dominoes. The man remained outside until darkness fell, occasionally calling out to them that he was an artist and very highly regarded. Then he went away. The cat turned on the lamp and they waited for Baba Iaga to return. There were two lamps in the hut, one that illuminated only what they knew already and another one which Baba Iaga kept locked in a closet that illuminated what they did not know.
Baba Iaga returned and said, I smell something outside. It smells like cruel death. Who has been here? And they described the man and what he had said. If he returns, under no circumstances let him in, Baba Iaga said. The next day she went off once again in her mortar and pestle. On foggy days one could see the faintest trail of her passage through the sky, so she brought her broom along to sweep away any trace of herself. Baba Iaga was usually very careful, though sometimes she was not.
The pelican child and the dog and the cat sat in a circle on the floor with their coloring books. The pelican child’s favorite color was blue, the cat’s black, and the dog pretty much preferred them all, he said. They felt the little house moving and their crayons slid across the floor. Once again the man had appeared and the chicken legs had prevented him from finding the door. He shouted up to them as before, proclaiming his devotion to the pelican child’s strangeness and beauty and promising to make her immortal. My name is synonymous with beautiful birds, he said, waving his portfolio at the windows.
