
Indeed it was at that meeting that this book was born. I realized how essential this volume was, for it would gather all kinds of literary writers in the service of fairy tales. I realized then that while people may know and love — or love to hate — these stories, they really are not aware of the many ways they pervade contemporary literature.
As merely one example, the National Book Foundation, which administers the National Book Awards, states that “retellings of folk-tales, myths, and fairy-tales are not eligible” for their awards. Imagine guidelines that state, “Retellings of slavery, incest, and genocide are not eligible.” Fairy tales contain all of those themes, and yet the implication is that something about fairy tales is simply. not literary. Perhaps the snobbery has something to do with their association with children and women. Or it could be that, lacking any single author, they discomfit a culture enchanted with the myth of the heroic artist. Or perhaps their tropes are so familiar that they are easily misunderstood as cliché. Possibly their collapsed world of real and unreal unsettles those who rely on that binary to give life some semblance of order.
