The streets in the area were named for various Indian tribes- Shawnee, Iroquois, Cherokee, Modoc, Crow, Chippewa. Selma Newquist lived on a cul-de-sac called Pawnee Way, the house a replica of its neighbors: frame siding, a shake roof, with a screened-in porch on one end and a two-car garage on the other. I parked in the driveway beside a dark Ford sedan. I locked the car from habit, climbed the two porch steps, and rang the bell-ding dong-like the local Avon representative. I waited several minutes and then tried again.

The woman who came to the door was in her late forties, with a small compact body, brown eyes, and short dark tousled hair. She was wearing a redblue-and-yellow plaid blouse over a yellow pleated skirt.

"Hi, I'm Kinsey Millhone. Are you Selma?"

"No, I'm not. I'm her sister-in-law, Phyllis. My husband, Macon, was Tom's younger brother. We live two doors down. Can I help you?"

"I'm supposed to meet with Selma. I should have called first. Is she here?"

"Oh, sorry. I remember now. She's lying down at the moment, but she told me she thought you'd be stopping by. You're that friend of the detective she called in Carson City."

"Exactly," I said. "How's she doing?"

" Selma has her bad days and I'm afraid this is one. Tom passed away six weeks ago today and she called me in tears. I came over as quick as I could. She was shaking and upset. Poor thing looks like she hasn't slept in days. I gave her a Valium."

"I can come back later if you think that's best."

"No, no. I'm sure she's awake and I know she wants to see you. Why don't you come on in?"

"Thanks."

I followed Phyllis across the entrance and down a carpeted hallway to the master bedroom. In passing, I allowed myself a quick glance into doorways on either side of the hall, garnering an impression of wildly overdecorated rooms. In the living room, the drapes and upholstery fabrics were coordinated to match a pinkand-green wallpaper that depicted floral bouquets, connected by loops of pink ribbon.



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