
Max Allan Collins
Neon Mirage
“Life is a game of chance.”


I was riding shotgun, and that wasn’t just an expression: there was a goddamned sawed-off twelve-gauge in my lap, and I didn’t like it. At all.
When you’re the boss of a business, the owner of a company, the fucking president of A-1 Detective Agency, you’re not supposed to draw duty like this. I had six operatives for that; I was thirty-eight years old and had been at this racket long enough, and was successful enough, to pick and choose which jobs I wanted to go out on. If I wanted to spend all day behind my desk, I could do that (and these days I frequently did). I was good on the phone, and that’s eighty percent of being a good private detective. If I ever had any thirst for adventure, Guadalcanal had taken it out of me. I rarely carried a gun, in this glorious post-war world.
But nonetheless, here I was: riding literal shotgun in the bodyguard car following James Ragen and his fancy Lincoln Continental down State Street, filling in last minute for an op of mine who took sick, wondering if today would be the day the Outfit decided to blow my tough little Irishman of a client to kingdom come.
Dealing with the mob was something that couldn’t be avoided in Chicago, if you were in my line, but the last couple years I’d done my best to do less and less of it. I used to know Frank Nitti fairly well-better than I wanted to, really-and had more than once found an unlikely ally in the diminutive, dapper, one-time barber who had been Al Capone’s successor.
Since Nitti’s death, however, I’d with a couple of exceptions kept arm’s length from Outfit guys. Nitti was, compared to those who came before him and those who came after, a relatively benevolent figure. He killed less often, and often schemed, like a master chess player, to have those he did want dead killed by somebody else-the cops or the FBI, for example. He tried to stay out of the headlines-it brought too much “heat,” it was bad for business.
