The hanging man was maybe fifty, average size but with heavy jowls, as if he'd lost a lot of weight fast. He swayed from an old crystal chandelier, superimposed over the modern one. His face was mottled and swollen, eyes thankfully closed.

I eyed him from the doorway so I wouldn't be tempted to stare once I was in the room. After thirty years of seeing ghosts, you learn all the tricks.

This one, though, wasn't a ghost but a residual. What tragedy had brought him to an end so emotionally powerful that the image was seared forever in this room? I doused my curiosity. It would do me no good. When you see scenes like this every day, you can't afford to stop and wonder. You just can't.

Both women turned as I entered. The assistant's gaze slid over me, lips tightening as if someone had shoved a lemon wedge in her mouth. I flashed a smile and her lips pursed more. If you can't still turn the heads of twenty-year-old boys, winning the catty disapproval of women your own age is a good consolation prize.

I stopped a hairbreadth from the hanged man and tried not to recoil as his swaying body circled my way.

"I hope I'm not interrupting," I said to the woman with the worried eyes. "I was sent to speak to the director, Becky Cheung. Would that be you?"

She smiled and extended a hand. "It is. And you must be Jaime Vegas. This is Claudia Wilson, Bradford Grady's assistant."

I shook Cheung's hand. "Should I step outside and let you two finish?"

"No, no." Desperation touched Becky's voice. "This concerns you too. We're discussing a promo shot. Mr. Simon has decided he wants the three stars to say a line."