They were a dumb life. Joe Leone's whole ambition was as dumb as his self-presentation until he met Irene: then it got worse. Irene was a Mona who had a good track record working the noncorporate spaceport. She was what you call petite, five three in transparent urethane heels and full of appeal with her flossy blonde hair. Like all those Uncle Zip products she had something organic about her, something real. She watched Joe Leone at the fights and after she smelled his blood she couldn't leave him alone. Every morning when he came home to the tailor's, Irene was there too. Between them they summed up the sex industry and the fight industry. When Joe and Irene were together you couldn't be sure which industry was which. They were a new form of entertainment in themselves.

Irene commenced to hammer at the chopshop door.

"How long you think they'll let her shout before they open up?" Fat Antoyne asked. Liv Hula had found a map-shaped stain on the zinc bartop, which she stared at with interest.

"I don't know why you're asking me," she said.

"She's got feelings for him," said Antoyne, to press his advantage. "That's undeniable. No one questions that. Jesus," he added to himself, "look at those tits."

He tried to imagine Joe Leone, dead and liquefied while his bones and organs reassembled themselves and Irene gave him the Mona side of her mouth. The joke was, Irene's opinion was no different than Liv Hula's. Every morning she made them fetch her an old wooden chair and put it at the head of Joe's tank, with his faded publicity slogan on it, Hold the painkillers. There she sat, ignoring the pink flashing LEDs, which were for show anyway, while the tank proteome slushed around like warm spit, cascades of autocatalysis through a substrate of forty thousand molecular species, flushing every twenty minutes to take off what unwanted product the chemistry couldn't eliminate. She hated the sucking noises it made.