

Obsidian Prey
Ghost Hunters, book 7
Jayne Castle
Acknowledgments
I want to thank Nancy Halifax, proprietor of the Halifax Gallery (17 Quartz Lane, Old Quarter, Frequency City), for her professional insight and advice. Her bold efforts to expand the accepted critical boundaries of modern art have redefined the meaning and definition of the artistic vision.
And to Chimera, the daring artist who started it all.
Boy, howdy, I couldn't have written this book without you two. Any mistakes are, of course, entirely attributable to Miss Halifax and Chimera.
A Note from Jayne
Welcome to my other world, Harmony.
Late in the twenty-first century, a vast energy Curtain opened in the vicinity of Earth, making interstellar travel practical for the first time. In typical human fashion, thousands of eager colonists packed up their stuff and lost no time heading out to create new homes and new societies on the unexplored worlds. Harmony was one of those worlds.
The colonists brought with them all the comforts of home: sophisticated technology, centuries of art and literature, and the latest fashions. Trade through the Curtain flourished and made it possible to stay in touch with families back on Earth. It also allowed the colonists to keep their computers and high-tech gadgets working. Things went swell for a while.
And then one day, without warning, the Curtain closed, disappearing as mysteriously as it had opened. Cut off from Earth, no longer able to obtain the equipment and supplies needed to keep their high-tech lifestyle going, the colonists were abruptly thrown back to a far more primitive existence. Forget the latest Earth fashions; just staying alive suddenly became a major problem.
