He was gone awhile. I entertained myself by drifting along the hallway introducing myself to the Stantnor ancestors, a dozen of whom scowled at me from portraits on the walls. The artists had been selected for their ability to capture their subject's private misery. Every one of those old boys was constipated.

I inventoried three beards, three mustaches, and six clean shaven. The Stantnor blood was strong. They looked like brothers instead of generations going back to the foundation of the Karentine state. Only their uniforms dated them.

All of them were in uniform or armor. Stantnors had been professional soldiers, sailors, Marines—forever. It was a birthright. Or maybe an obligation, like it or not, which might explain the universal dyspepsia.

The last portrait on the left was the General himself, as Commandant of the Corps. He wore a huge, ferocious white mustache and had a faraway look in his eyes, as if he were standing on the poop of a troopship staring at something beyond the horizon. His was the only portrait that hadn't been painted so its subject's eyes followed you when you moved. It was disconcerting, having all those angry old men glaring down. Maybe the portraits were supposed to intimidate upstarts like me.

Opposite the General hung the only portrait of a young man, the General's son, a Marine lieutenant who hadn't developed the family scowl. I didn't recall his name, but did remember him getting killed in the islands while I was in. He'd been the old man's only male offspring. There wouldn't be any more portraits to put up on those dark-paneled walls.

The hall ended in a wall of leaded glass that rose the hallway's two storey height, a mosaic of scenes from myth and legend, all bloodthirstily executed: heroes slaying dragons, felling giants, posturing atop heaps of elvish corpses while awaiting another charge. All stuff of antiquity, when we humans didn't get along with the other races.