Ian laughed. “And planting a few thousand grapevines didn’t hurt, either.”

“No kidding.” Guru Bob had hedged his bets early on by suggesting that his followers plant grapes across the commune property, adding more acreage over the years. Our vineyards and renowned winery had made the members wealthy beyond even Guru Bob’s expectations. But it was still nice to walk into the boutique shops along Dharma’s Shakespeare Lane and see our members’ artwork and beautifully handmade crafts on display.

“Meanwhile, Guru Bob had seen the level of artistry in Max’s work and suggested that he go to art school.”

So he did. And in the small world of papermaking, Max became a rock star, complete with groupies and an entourage. It didn’t hurt that he was tall and dark and ruggedly built, or that he brought his own brash, avant-garde style to the quiet art of making paper, thus catching the attention of everyone in the book arts universe. Some compared him to his hero, Dard Hunter, the legendary papermaker and printer, though Max insisted he could never be that good.

Max ended up teaching at the prestigious Sonoma Institute of the Arts, just a few miles south of Dharma. His acolytes enrolled by the dozens to study at the feet of the master. He gave lectures all over the country and hordes of groupies followed him from city to city, from lecture to art exhibit to papermaking demonstration.

“It was unbelievable,” I said, still a bit awestruck after all these years. “I went to some of his lectures and saw the fanatical adoration for myself. The truly amazing part was that Max seemed unfazed by the attention.”

“That’s all really fascinating, Brooklyn,” Ian said dryly, “but where does this copy of Beauty and the Beast come in?”