Clifford Simak

Our Children's Children


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Bentley Price, photographer for Global News Service, had put a steak on the broiler and settled down in a lawn chair, with a can of beer in hand, to watch it, when the door opened underneath an ancient white oak tree and people started walking out of it.

It had been many years since Bentley Price had been astounded. He had come, through bitter experience, to expect the unusual and to think but little of it. He took pictures of the unusual, the bizarre, the violent, then turned around and left, sometimes most hurriedly, for there was competition such as the AP and the UPI, and an up-and-coming news photographer could allow no grass to grow beneath his feet, and while picture editors certainly were not individuals to be feared, it was often wise to keep them mollified.

But now Bentley was astounded, for what was happening was not something that could easily be imagined, or ever reconciled to any previous experience. He sat stiff in his chair, with the beer can rigid in his hand and with a glassy look about his eyes, watching the people walking from the door. Although now he saw it wasn't any door, but just a ragged hole of darkness which quivered at the edges and was somewhat larger than any ordinary door, for people were marching out of it four and five abreast.

They seemed quite ordinary people, although they were dressed a bit outlandishly, as if they might be coming home from a masquerade, although they weren't masked. If they all had been young, he would have thought they were from a university or a youth center or something of the sort, dressed up in the crazy kind of clothes that college students wore, but while some of them were young, there were a lot of them who weren't.

One of the first who had walked out of the door onto the lawn was a rather tall and thin man, but graceful in his thinness when he might have gangled. He had a great unruly mop of iron-gray hair and his neck looked like a turkey's. He wore a short gray skirt that ended just above his knobby knees and a red shawl draped across one shoulder and fastened at his waist by a belt that also held the skirt in place and he looked, Bentley told himself, like a Scot in kilts, but without the plaid.



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