
I rang the bell again. Fiona Purcell had told me she was on her way out of town, a five-day trip to San Francisco to purchase furniture and antiques for a client of her interior design firm. According to the papers, Fiona and the doctor had been divorced for years. Idly, I was wondering why she'd been the one who called me instead of his current wife, Crystal.
I saw a face appear in one of the two glass panels that flanked the entrance. When she opened the door, I saw that she was already dressed for travel in a double-breasted pin-striped suit with wide lapels. She held a hand out. "Ms. Millhone? Fiona Purcell. Sorry to make you wait. I was at the back of the house. Please come in."
"Thanks. You can call me Kinsey if you like. Nice meeting you," I said.
We shook hands and I moved into the entrance hall. Her handshake was limp, always startling in someone who, otherwise, seems brisk and businesslike. I placed her in her late sixties, close to Dr. Purcell's age. Her hair was dyed a dark brown, parted on one side, with puffy bangs and clusters of artificially constructed curls pulled away from her face and secured by rhinestone combs, a style affected by glamour-girl movie stars of the 1940s. I half-expected an appearance by John Agar or Fred MacMurray, some poor, feckless male who'd fallen prey to this vixen with her fierce shoulder pads. She was saying, "We can talk in the living room. You'll have to pardon the mess."
