I do have some experience of it. As a moderately successful writer, one rubs up against what Nanny would call ‘all sorts,’ but I can’t pretend this was ever really my crowd. Most of the so-called rich I know are possessed of surviving, not newborn, fortunes, the rich who used to be a good deal richer. But the houses I was passing belonged to the Now Rich, which is different, and for me there is something invigorating in their sense of immediate power. It is peculiar, but even today there is a snobbery in Britain when it comes to new money. The traditional Right might be expected to turn up their noses at it I suppose, but paradoxically, it is often the intellectual Left who advertise their disapproval of the self-made. I do not pretend to understand how this is compatible with a belief in equality of opportunity. Perhaps they do not try to synthesise them, but just live by contradictory impulses, which I suppose we all do to some degree. But if I may have been guilty of such unimaginative thinking in my youth, it is gone from me now. These days I unashamedly admire men and women who have made their pile, just as I admire anyone who looks at the future mapped out for them at birth and is not afraid to tear it up and draw a better one. The self-made have more chance than most of finding a life that truly suits. I salute them for it and I salute their bejewelled world. Of course, on a personal level it was extremely annoying that Damian Baxter should be a part of it.

The house he had chosen as a setting for his splendour was not a fallen nobleman’s palace but rather one of those self-consciously moral, Arts and Crafts, rambling warrens that seem to belong in a Disney cartoon and are no more convincing as a symbol of Olde England than they were when Lutyens built them at the turn of the last century.