
She made her exit and did not neglect to slam the door.
“Oh dear,” said Benjamin Ruby quietly.
“Quite,” said Montague Reece.
The young man called Rupert Bartholomew, having reinstated his portfolio, got to his feet.
“I reckon I’d better—?”
“Yes?” said Mr. Reece.
‘Take myself off. I mean to say, it’s a bit awkward.“
“What’s awkward?”
“Well, you see, Madame — Madame Sommita asked me— I mean to say she said I was to bring this”—he indicated, precariously, his portfolio.
“Look out,” said Ben Ruby. “You’ll scatter it again.” He did not try to suppress a note of resignation. “Is it something you’ve written?” he said. It was more a statement than an inquiry.
“This is right. She said I could bring it.”
“When,” Reece asked, “did she say it?”
“Last night, well — this morning. About one o’clock. You were leaving that party at the Italian Embassy. You had gone back to fetch something — her gloves I think — and she was in the car. She saw me.”
“It was raining.”
“Heavily,” said the young man proudly. “I was the only one.”
“You spoke to her?”
“She beckoned me. She put the window down. She asked me how long I’d been there. I said three hours. She asked my name and what I did. I told her. I play the piano in a small orchestra and give lessons. And I type. And then I told her I had all her recordings and — well, she was so wonderful. I mean to me, there in the rain. I just found myself telling her I’ve written an opera — short, a one-acter — sort of dedicated to her, for her. Not, you know, not because I dreamt she would ever hear of it. Good God, no!”
