
But of course, it is always possible that we will not establish controls. Or that someone will manage to create artificial, self-reproducing organisms far sooner than anyone expected. If so, it is difficult to anticipate what the consequences might be. That is the subject of the present novel.
Michael Crichton
LOS ANGELES, 2002
It's midnight now. The house is dark. I am not sure how this will turn out. The kids are all desperately sick, throwing up. I can hear my son and daughter retching in separate bathrooms. I went in to check on them a few minutes ago, to see what was coming up. I'm worried about the baby, but I had to make her sick, too. It was her only hope. I think I'm okay, at least for the moment. But of course the odds aren't good: most of the people involved in this business are already dead. And there are so many things I can't know for sure.
The facility is destroyed, but I don't know if we did it in time. I'm waiting for Mae. She went to the lab in Palo Alto twelve hours ago. I hope she succeeded. I hope she made them understand how desperate the situation is. I expected to hear from the lab but so far there has been no word.
I have ringing in my ears, which is a bad sign. And I feel a vibrating in my chest and abdomen. The baby is spitting up, not really vomiting. I am feeling dizzy. I hope I don't lose consciousness. The kids need me, especially the little one. They're frightened. I don't blame them.
I am, too.
Sitting here in the dark, it's hard to believe that a week ago my biggest problem was finding a job. It seems almost laughable now.
But then, things never turn out the way you think they will.
