I took my check, with thumbs and forefingers at the middle of its top edge, tore it across, put the halves together and tore again, dropped the shreds into my wastebasket, and turned and started for the door. His bellow came at me.

"Archie!"

I wheeled and glared at him. He glared back. "Pfui," he said.

"Nuts," I said, and turned and went.

That was what created the atmosphere. When I returned from the country late Sunday night he had gone up to bed. By Monday morning the air might possibly have cleared if it hadn't been for the torn-up check. We both knew the stub would have to be voided and a new check drawn, but he wasn't going to tell me to do it without being asked, and I wasn't going to do it without being told. A man has his pride. With that between us, the stiffness Monday morning lasted through lunch and beyond, into the afternoon.

Around 4:30 I was at my desk, working on the germination records, when the doorbell rang. Ordinarily, unless instructions have been given, Fritz answers it, but that day my legs needed stretching and I went. Swinging the door open, I took in a sight that led me to an agreeable conclusion. The suitcase and hatbox could have held a salesman's samples, but the young woman in the light peach-colored dress and tailored jacket was surely no peddler. Calling on Nero Wolfe with luggage, ten to one she was a prospective client from out of town, and, coming straight from the station or airport, in a hurry. Such a one was welcome.

With the hatbox dangling from her hand, she crossed the threshold, brushed past me, and said, "You're Archie Goodwin. Will you bring my suitcase in? Please?"

I did so, closed the door, and deposited the suitcase against the wall. She put the hatbox down beside it and straightened to speak.