
Little girls grow up. The brightest of them come to loathe short-sighted policy, based on ignorance and indifference. The child who attended the court masque full of innocence and fun had learned this all too well.
The King was dead. His Queen would mourn. Trapped in the desolate struggles of a widow even though her husband was alive, Juliana wept on a London street. Though she pitied the King and his newly bereaved Queen, she was weeping for herself. She wept because she could no longer pretend: because she knew that the civil war had deprived her of all her hopes in life.
It was time to go. She was plainly dressed because of her poverty, worn by struggles and uncertainties, yet too firm-willed to seem a victim either to pickpockets or government agents. She was confident she could leave the scene quickly and go home without misadventure.
Trying not to attract attention, she slipped down a side street to the river where she hoped to take a boat downstream.
Moments later, mounted soldiers swept through the streets, clearing the crowds. Once the area appeared deserted, a small escort party surreptitiously left the Banqueting House. Gideon Jukes led them, setting the executioner safely on his way home. So as the winter darkness closed in, he too went down the dark side street that led to Whitehall Stairs.
