Arkady went to a terminal and called up Beethoven’s Pastoral Symphony, picking it up in the third movement, when the village dance is disrupted by storm. He turned up the volume, and they floated together in the long half-cylinder, listening to the intensity of Beethoven’s fierce tempest, which suddenly seemed to enunciate perfectly the lashings of the silent wind pouring through them. It would sound just like that! Strings and woodwinds shrieking in wild gusts, out of control and yet beautifully melodic at the same time— a shiver ran down Maya’s spine. She had never listened to the old warhorse this closely before, and she looked with admiration (and a bit of fear) at Arkady, who was beaming ecstatically at the effects of his inspired disk jockeying, and dancing like some red knot of fluff in the wind. When the symphony’s storm peaked, it was difficult to believe that the radiation count wasn’t rising; and when the musical storm abated, it seemed like theirs should be over too. Thunder muttered, the last gusts whistled through. The French horn sang its serene all-clear.

People began to talk about other things, discussing the various business of the day that had been so rudely interrupted, or taking the opportunity to talk about other things. After a half hour or more, one of those conversations got louder. Maya didn’t hear how it began, but suddenly Arkady said, very loudly and in English, “I don’t think we should pay any attention to plans made for us back on Earth!”

Other conversations went silent, and people turned to look at him. He had popped up and was floating under the rotating roof of the chamber, where he could survey them all and speak like some mad flying spirit.