It did not contradict anything that she had already learned, and improved her knowledge in several areas. But she could glean nothing further without going inside, and that would not be easy. All the airlocks had been sealed from inside with plugs of molten metal. She cut through them, slowly and nervously, with lasers and hyperdiamond-tipped drills, feeling the crew’s fear and desperation. When she had the first lock open she sent in an exploratory detachment of hardened servitors, ceramic-shelled crabs equipped with just enough intelligence to get the job done. They fed images back into her skull.

What they found horrified Skade.

The crew had been butchered. Some had been ripped apart, squashed, dismembered, pulped, sliced, fragmented. Others had been burned or suffocated or frozen. The carnage had evidently not happened quickly. As Skade absorbed the details, she began to picture how it must have happened: a series of pitched battles and last stands in various parts of the ship, with the crew raising makeshift barricades against the invaders. The ship itself had done its desperate best to protect its human charges, rearranging interior partitions to keep the enemy at bay. It had tried to flood certain areas with coolant or high-pressure atmosphere, and in those cells Skade found the corpses of strange, ungainly machines—conglomerations of thousands of black geometric shapes.

She formed a hypothesis. It was not difficult. The cubes had glued themselves on to the outside of Galiana’s ship. They had multiplied, growing as they absorbed and reprocessed the ship’s integument. In that respect it was indeed a little plaguelike. But the plague was microscopic; one never saw the individual elements of the spore with the naked eye. This was more brutal and mechanistic, almost fascistic, in the way it replicated. The plague at least imbued transformed matter with something of its earlier characteristics, yielding chimeric phantasms of machine and flesh.

No, Skade told herself.