I sat there nursing the dregs of my cheer-beer while the Nerveless tuned up. When the rickracks were spinning fast and the megabops were humming and everyone had their percussion suits on, they jumped into an original comp, "Efferent Ellie."

Forty– five minutes later, after two more cheer-beers thoughtfully provided by the management to the grateful friend of the band, I was really on the downlink with Casio and the Nerveless. I felt their music surging through me like some sonic trope. Tapping my foot, wangle-dangling my head like some myelin-stripped spaz, I was so totally downloading that I didn't even see Turbo and his set slope on into Club GaAs and surround me.

When the current song ended and I looked up, there they all were: Turbo and his main sleeve, Chuckie, who had her arm around his waist; Jeeter, Hake, Pablo, Mona, Val, Ziggy, Pepper, Gates, Zane, and a bunch of others I didn't know.

"Hah– hah-hah-how's it climbing, molars?" I said.

They were all as quiet and stone-faced as the holo of a cheap Turing Level One Al with its mimesis-circuits out of whack. As for me, I could do nothing but stare.

The Body Artists were all naked save for spandex thongs, he's and she's alike, the better to insure proper extero– and interoceptor input. Their skins were maculated with a blotchy tan giraffe pattern. The definition of every muscle on their trim bods was like Gray's Anatomy come to life.

Now, to me, there were no two ways about it: the Body Artists were simply the most trump set in TeeVeeCee. The swiftest; nastiest, downloadingest pack of lobe-strobers ever to walk a wire or scale a pole. Who else were you gonna compare 'em to? The Vectors? A bunch of wussies dreaming their days away in mathspace. (I didn't buy their propagand a a bout being able to disappear along the fourth dimension either.) The Hardz 'n' Wetz? Nothing but crazy meat grinders, the negative image of their rivals, the Eunuchs. The Less' Than Zeroes? I don't call pissing your pants satori, like they do.