Now, of course, the department has more than eighty officers who speak Japanese – and more, like me, who are trying to learn. Connor had retired several years before. But the liaison officers who worked with him agreed he was the best. He was said to work very fast, often solving cases in a few hours. He had a reputation as a skilled detective and an extraordinary interviewer, able to get information from witnesses like nobody else. But most of all, the other liaisons praised his even-handed approach. One said to me, "Working with the Japanese is like balancing on a tightrope. Sooner or later, everybody falls off on one side or the other. Some people decide the Japanese are fabulous and can do no wrong. Some people decide they're vicious pricks. But Connor always keeps his balance. He stays in the middle. He always knows exactly what he is doing."
John Connor lived in the industrial area off Seventh Street, in a large brick warehouse alongside a diesel truck depot. The freight elevator in the building was broken. I walked upstairs to the third floor and knocked on his door.
"It's open," a voice said.
I entered a small apartment. The living room was empty, and furnished in the Japanese style: tatami mats, shoji screens, and wood-paneled walls. A calligraphy scroll, a black lacquer table, a vase with a single splash of white orchid.
I saw two pairs of shoes set out beside the door. One was a man's brogues. The other was a pair of women's high heels.
I said, "Captain Connor?"
"Just a minute."
A shoji screen slid back and Connor appeared. He was surprisingly tall, maybe a hundred and ninety centimeters, well over six feet. He wore a yukata, a light Japanese robe of blue cotton. I estimated he was fifty-five years old. Broad-shouldered, balding, with a trim mustache, sharp features, piercing eyes. Deep voice. Calm.