I remember the first time Andy Dufresne got in touch with me for something; I remember like it was yesterday. That wasn’t the time he wanted Rita Hayworth, though. That came later. In that summer of 1948 he came around for something else.

Most of my deals are done right there in the exercise yard, and that’s where this one went down. Our yard is big, much bigger than most. It’s a perfect square, ninety yards on a side. The north side is the outer wall, with a guardtower at either end. The guards up there are armed with binoculars and riot guns. The main gate is in that north side. The truck loading-bays are on the south side of the yard. There are five of them. Shawshank is a busy place during the work-week — deliveries in, deliveries out. We have the license-plate factory, and a big industrial laundry that does all the prison wetwash, plus that of Kittery Receiving Hospital and the Eliot Sanatorium. There’s also a big automotive garage where mechanic inmates fix prison, state, and municipal vehicles — not to mention the private cars of the screws, the administration officers … and, on more than one occasion, those of the parole board.

The east side is a thick stone wall full of tiny slit windows. Cellblock 5 is on the other side of that wall. The west side is Administration and the infirmary. Shawshank has never been as overcrowded as most prisons, and back in ’48 it was only filled to something like two-thirds capacity, but at any given time there might be eighty to a hundred and twenty cons on the yard — playing toss with a football or a baseball, shooting craps, jawing at each other, making deals. On Sunday the place was even more crowded; on Sunday the place would have looked like a country holiday … if there had been any women.

It was on a Sunday that Andy first came to me. I had just finished talking to Elmore Armitage, a fellow who often came in handy to me, about a radio when Andy walked up.