
And curse.
The top line says, simply, TYLER, and then beneath it PRESS PLAY.
For a moment, I'm too shell-shocked to figure out what it's trying to say, but then the realization hits.
TYLER.
Someone else knows I'm here.
I take a step back, shut my eyes, and attempt to take stock of what's going on. Outside the window, I can hear the sound of birds singing, which tells me I am a fair way from home. No-one ever hears birdsong in central London. I don't even know whether or not I came here voluntarily. I know nothing – that is the huge and insurmountable problem I face at the moment. I am in a strange room next to the headless corpse of the woman I still love, with a sign telling me to press play on the DVD player. I feel a sudden burst of panic, which I have to fight down ruthlessly. I need to hold myself together. Different emotions – revulsion, shock, grief at the loss of a loved one – come at me with the force of explosions, but I was a soldier for fifteen years and I'm trained to remain calm in tense situations, and to deal with events rationally.
I take a series of deep breaths, trying to clear my head. I need to remember how we got here, and why we came.
Think.
I think so hard it hurts. I concentrate like a contestant on a game show one answer away from a million with the answer on the tip of my tongue, the effort draining what little strength I have. But still nothing comes back. My last memory is watching a documentary about global warming on the TV with a takeaway Chinese meal: squid in black bean sauce with egg fried rice. It had tasted greasy, and I didn't finish it. I was alone. I seem to recall that Leah was seeing friends that night. As an ex-soldier, I tend to like routine, and I almost always have takeaways on a Wednesday, so I'm guessing this was when it was. But it doesn't help a lot, because I don't know what day it is today.
