I do it anyhow. One day I might need an elastic, or a scrap of leather, or a length of wire. That’s what I tell myself, but most of these things, ancient and obsolete, will end up in a weaving, or a basket, or a dream catcher for Paul. This is how I pass my time when the night falls and we’re left in the dark, because I don’t need to see to work with my hands. I need only to feel.

The twine and paper clips and the other cast-off junk spill onto the table the moment I unbuckle my school bag. Sunlight glints off the keys, and for a moment they seem to wriggle like bright blue herring, a fresh catch, ready to be devoured.

I blink and they are keys again.

The Old Way is a way of work. We have no electricity, no running water, no garbage collection. Our luxuries are born of our own hands. The Old Way keeps us honest, my father says. It keeps us connected to the earth.

That doesn’t stop me from thinking about a day, a week, a lifetime in the Corridor. Even with the rolling blackouts, they have heat in the dead of our brutal winter. Their bones don’t ache when the rains come, nor do they have to haul in wood when squalls descend from the north, blanketing the world with snow-not to mention it’s a lot easier to hide from the searchers among the millions in the Corridor. Here, we’re exposed, and there’s not much stopping them from coming to gobble us up.

In the Corridor I would find a job, and with the money I earned, I would buy my father a new armchair so he had somewhere comfortable to sit after a hard day of work. I would buy myself a new wool coat and a pair of boots to keep my feet warm in the winter.